精選個(gè)關(guān)于哈姆雷特的英語讀后感

　　導(dǎo)語：哈姆雷特是一本著名的課外讀物，他給我們講訴了：莎士比亞筆下的一位傳奇人物，他是丹麥的一位王子，他是世界文學(xué)史上一個(gè)經(jīng)典形象，他就是哈姆雷特。讀莎士比亞的《哈姆萊特》，感受到的是杯具的美麗與偉大，莎士比亞所塑造的每個(gè)人物每一幕都那么每句話都有著戲劇的崇高。那就記錄下來，編寫成英語作文吧。歡迎閱讀，僅供參考的，更多相關(guān)的知識(shí)，請(qǐng)關(guān)注CNFLA學(xué)習(xí)網(wǎng)!

　　哈姆雷特英語讀后感:

　　He is one of Shakespeare's legend, he is a prince of Denmark, he is the world's literature history a classical image, he is Hamlet. Read Shakespeare's "Hamlet", feel the beauty and greatness, is cup of Shakespeare is shaped by each character each act is so each sentence is a drama of the sublime.

　　Hamlet is the representative works in Shakespeare's tragedy, the play had been admired for centuries. It highlighted reflects the author's humanist thought, is a microcosm of The Times. Is at the moment, we can still feel the shock of the heart. The shock not only from the plot, also not only only is excellent literary technique, more important is that it embodies. It on the data reached unprecedented depth and breadth, profoundly reveals the late feudal society of sin and essential feature, at the same time, it also puts forward an issue of destiny.

　　Hamlet is the Renaissance humanist ideal. He is the prince, according to tradition, is kingship successor, of course. However, he was the perfect future upside down in the wrong era. Play the beginning, the author will show a hideous social picture: national palace coup, the king was killed, schemer stole the throne; The queen had remarried; Full chao, detained snobbery, and so on. As if by the end of the world. So the prince sent a roar of revenge. People strongly feel this is the soul of "time" in itself. Hamlet was a honest, optimistic, has the ideal youth, under normal circumstances, he can be a wise monarch; But the reality of the social force he had to fool on occasion for revenge. He is the product of that particular era of unrest.

　　Image of Hamlet is a hero, he is very shrewd, persevering in the bad situation, he dared to struggle on the high plane of tit for tat, he felt the evil king set - each trick, in the struggle in every round, Hamlet is tall image. But Hamlet is not "perfect", although he is good at thinking, but indecision; Although he loved by the people, but does not believe the people. Despite admirable to Hamlet, tried to blow away the cobwebs, but he always made his joy, indecision, he is always alone. It's doomed he and the tragic fate of the ugly mutually assured destruction. He is a type of the giant.

　　The Hamlet's death is a tragedy, but also the best outcome for him. When will the shackles of fate revealed, his duty should be put down. To survive in this world for Hamlet, lost any benefits.

　　Shakespeare's Hamlet, the image of his classic, is not just about molding a revenge for the father's heroic image, but also because of his heroic act of cowardice, he is a traditional benefits under a major breakthrough. In the process of a painful transition, Hamlet from a child to grow up to be a mighty men of valour, this process is also each and every one of us must have experienced, so everyone has a Hamlet shadow, his image is that much more cause our attention.

　　The drama highlights the hatred between people, the desire for money and power. For Hamlet's death, it is very sad also caused some of our thinking. Shakespeare does not belong to an era which belongs to the whole century, his plays like a big dipper is shining in the sky, guiding the direction for the people forever.

　　他是莎士比亞筆下的一位傳奇人物，他是丹麥的一位王子，他是世界文學(xué)史上一個(gè)經(jīng)典形象，他就是哈姆雷特。讀莎士比亞的《哈姆萊特》，感受到的是杯具的美麗與偉大，莎士比亞所塑造的每個(gè)人物每一幕都那么每句話都有著戲劇的崇高。

　　《哈姆雷特》是莎士比亞杯具中的代表作品，這個(gè)劇本整整被推崇了幾個(gè)世紀(jì)。它突出地反映了作者的人文主義思想，是一個(gè)時(shí)代的縮影。就是此刻，我們依然能夠感覺到它的震撼人心。而這震撼不只來源于情節(jié)，也不僅僅僅是出色的文學(xué)手法，更重要的'是它所體現(xiàn)出來的問題。它在思想資料上到達(dá)了前所未有的深度和廣度，深刻的揭示出封建末期社會(huì)的罪惡與本質(zhì)特征，同時(shí)，它還提出了一個(gè)關(guān)于命運(yùn)的問題。

　　哈姆雷特是文藝復(fù)興時(shí)期人文主義者的理想人物。他是王子，按照傳統(tǒng)，是王權(quán)的當(dāng)然繼承者。但是，他的完美前途被顛倒了的時(shí)代顛倒了。戲一開頭，作者就展現(xiàn)了一幅丑惡的社會(huì)畫面：國家發(fā)生宮廷政變，國王被害，陰謀家竊取了王位;王后改嫁;滿朝臣子趨炎附勢(shì)等等。世界仿佛到了末日。于是這個(gè)王子發(fā)出了復(fù)仇的吼聲。人們強(qiáng)烈地感受到這是“時(shí)代的靈魂”本身在呼喊。哈姆雷特本是個(gè)正直、樂觀、有理想的青年，在正常的環(huán)境下，他能夠成為一位賢明君主;但是現(xiàn)實(shí)的社會(huì)迫使他不得不裝瘋賣傻，進(jìn)行復(fù)仇。他是英國那個(gè)特定的動(dòng)蕩不安時(shí)代的產(chǎn)物。

　　哈姆雷特是一個(gè)英雄形象，他很有心計(jì)，在敵強(qiáng)我弱的惡劣狀況下，他敢于針鋒相對(duì)地進(jìn)行斗爭(zhēng)，他擊破了奸王設(shè)下的—個(gè)個(gè)圈套，在每一回合的斗爭(zhēng)中，哈姆雷特都顯得形象高大。但哈姆雷特決非“完人”，他雖然善于思索，卻優(yōu)柔寡斷;他雖然受到人民的愛戴，卻并不堅(jiān)信人民。盡管哈姆雷特有令人欽佩的才能，竭力想除舊布新，但他總是郁郁不樂，遲疑不決，他始終是孤立的。這就注定了他與丑惡同歸于盡的悲慘命運(yùn)。他是一個(gè)巨人型的杯具。

　　哈姆雷特的死，是一場(chǎng)杯具，卻也是對(duì)他最好的結(jié)果。當(dāng)將命運(yùn)的枷鎖揭開了，他的職責(zé)也就應(yīng)是放下了。生存在這個(gè)世界上對(duì)于哈姆雷特，失去了任何的好處。

　　莎士比亞的哈姆雷特，他的形象經(jīng)典，不僅僅在于塑造了一個(gè)為父報(bào)仇的英雄式形象，更是正因他的英雄行為下的懦弱，他是一個(gè)傳統(tǒng)好處下的一個(gè)大的突破。在一個(gè)痛苦的轉(zhuǎn)變過程中，哈姆雷特從一個(gè)孩子成長為一個(gè)英勇的戰(zhàn)士，這個(gè)過程也是我們每一個(gè)人都務(wù)必經(jīng)歷過的，因此每個(gè)人身上都有哈姆雷特的影子，他的形象也就更加引起我們的關(guān)注。

　　這部戲劇突出了人與人之間的仇恨，對(duì)金錢、權(quán)利的欲望。對(duì)于哈姆雷特的死，是很悲痛中也引起了我們一些思考。莎士比亞不屬于一個(gè)時(shí)代而屬于全世紀(jì)，他的戲劇就象燦爛星空中的北斗，永遠(yuǎn)為人們指引著方向。

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