高中關(guān)于經(jīng)典的英語(yǔ)作文100詞
導(dǎo)語(yǔ)：經(jīng)典在文化史上占有重要的地位。沒(méi)有了它，中國(guó)將失去美譽(yù);沒(méi)有了它，中國(guó)人就沒(méi)有了知識(shí)源頭;沒(méi)有了它，中國(guó)將黯然失色。下面是小編為您收集整理的英語(yǔ)作文，希望對(duì)您有所幫助。
經(jīng)典英語(yǔ)作文(1)
It is commonly said now what is the classic? Enduring does not work, future generations respect for what it calls a classic. Is a classic example, authoritative writings. Classic is selected through history "most valuable book".
, ancient and modern, Chinese and foreign various knowledge in the field of the model, authoritative works, is a classic. Especially those of great originality, foundational work, the more sheets referred to as the "classics", such as Lao zi, the analects of Confucius, the bible, the diamond sutra. Some even referred to as the classics, in the first group, such as China's "book of changes", buddhist "heart sutra" and so on, have the title.
"Canon" is a knowing words. Look from oracle glyph, the above is "book", here are big, add up to is big book of large volumes. The original meaning of Canon refers to important documents, books.
First of all, from the characteristics of ontology, is the combination of the original text and unique interpretation. Classic through the creation of personal unique world view and not repeatable, highlights the rich culture and the connotation of humanity, put forward some fundamental problems of human spiritual life. Vivid sense of them with a particular historical period and the present consciousness blend together, full of originality and enduring shock, so as to form into an important ideological and cultural tradition. At the same time, is a classic interpretation and the interpretation of the result of the interaction between the text.
Second, in the presence of forms has the characteristics of openness, transcendence and pluralism. Classic as the crystallization of the individual and original art world of the human spirit, it appeals to people play of the subjectivity, is the public discourse and personal narration, reason and sensibility, and the combination of the conscious and unconscious.
Once again, from the value orientation, classic must become a symbol of national language and thought. Such as sand weng in Britain and the British literature, pushkin in Russia and Russian literature, LuXunZhi in Chinese literature, classics are far beyond their personal meaning, rising to become a nation, and even the common classic of mankind.
Modern man's classic: on the one hand, after a sweep to stay in the history of the golden rule of allusion and cultural heritage; On the other hand is in the life always see or think of some things, and even can be widely applied to life also called classic; At the same time, for the individual, as long as it is able to move into their own, and hidden deep in the bottom of the heart after a period of the test can also be called a classic.
Classic, it is a threshold, also cannot too much. If anything the epidemic can be called a classic, the classic will lose its value. So follow the hype is one of the largest predators classic.
"Classic" of "the" quotations from the book of songs, "after" of the daodejing, etc. Book of songs is the first anthology of poetry in China, the enormous influence on later generations. The is a kind of literary genre, simple elegant, easy to accept and praise of the masses. A classic is something of value.
現(xiàn)在大家常說(shuō)的經(jīng)典究竟是什么?經(jīng)久不衰的萬(wàn)世之作，后人尊敬它稱(chēng)之為經(jīng)典。經(jīng)典是指具有典范性、權(quán)威性的著作。經(jīng)典就是經(jīng)過(guò)歷史選擇出來(lái)的“最有價(jià)值的書(shū)”。
古今中外，各個(gè)知識(shí)領(lǐng)域中那些典范性、權(quán)威性的著作，就是經(jīng)典。尤其是那些重大原創(chuàng)性、奠基性的著作，更被單稱(chēng)為“經(jīng)”，如老子、論語(yǔ)、圣經(jīng)。有些甚至被稱(chēng)為經(jīng)中之經(jīng)，位居群經(jīng)之首，比如中國(guó)的《易經(jīng)》，佛家的《心經(jīng)》等，就有此殊榮。
“典”是個(gè)會(huì)意字。從甲骨文字形看,上面是“冊(cè)”字,下面是大，合起來(lái)就是大本大冊(cè)的書(shū)。典的本義是指重要的文獻(xiàn)、典籍。
首先，從本體特征來(lái)看，是原創(chuàng)性文本與獨(dú)特性闡釋的結(jié)合。經(jīng)典通過(guò)個(gè)人獨(dú)特的世界觀和不可重復(fù)的創(chuàng)造，凸顯出豐厚的文化積淀和人性?xún)?nèi)涵，提出一些人類(lèi)精神生活的根本性問(wèn)題。它們與特定歷史時(shí)期鮮活的時(shí)代感以及當(dāng)下意識(shí)交融在一起，富有原創(chuàng)性和持久的震撼力，從而形態(tài)成重要的思想文化傳統(tǒng)。同時(shí)，經(jīng)典是闡釋者與被闡釋者文本之間互動(dòng)的結(jié)果。
其次，在存在形態(tài)上具有開(kāi)放性、超越性和多元性的特征。經(jīng)典作為人的精神個(gè)體和藝術(shù)原創(chuàng)世界的結(jié)晶，它訴諸人的主體性的發(fā)揮，是公眾話語(yǔ)與個(gè)人言說(shuō)、理性與感性、以及意識(shí)與無(wú)意識(shí)相結(jié)合的產(chǎn)物。
再次，從價(jià)值定位看，經(jīng)典必須成為民族語(yǔ)言和思想的象征符號(hào)。如沙翁之于英國(guó)和英國(guó)文學(xué)，普希金之于俄羅斯與俄羅斯文學(xué)，魯迅之于中國(guó)文學(xué)，他們的經(jīng)典都遠(yuǎn)遠(yuǎn)超越了個(gè)人意義，上升成為一個(gè)民族，甚至是全人類(lèi)的共同經(jīng)典。
現(xiàn)代人眼中的經(jīng)典：一方面是歷史上經(jīng)過(guò)大浪淘沙留下來(lái)的金科玉律的典故和文化遺產(chǎn);另一方面是在生活中時(shí)常看到或者想起的一些人一些事，甚至能夠廣泛的運(yùn)用到生活中去的也叫經(jīng)典;同時(shí)，對(duì)于個(gè)人而言，只要是能夠感動(dòng)到自己，并深藏在心底經(jīng)過(guò)一段時(shí)間的考驗(yàn)的也可稱(chēng)之為經(jīng)典。
經(jīng)典，是一個(gè)門(mén)檻，也不能太過(guò)于泛濫了。如果任何的流行性的東西都能稱(chēng)為經(jīng)典，那么經(jīng)典也就失去了它的價(jià)值。所以跟風(fēng)炒作是經(jīng)典最大的天敵。
“經(jīng)典”之“經(jīng)”引自《詩(shī)經(jīng)》、《道德經(jīng)》等之“經(jīng)”。詩(shī)經(jīng)是我國(guó)最早的一部詩(shī)歌總集，對(duì)后世影響巨大。經(jīng)是一種文學(xué)類(lèi)別，樸素優(yōu)美，易于大眾接受和傳頌。經(jīng)典是指有價(jià)值的東西。
經(jīng)典英語(yǔ)作文(2)
A passage, a step by step into the classic, feet echoed with the empty "sound, through the rise and fall of a dynasty history. Read shiji, lamenting the earth duckweed in the emperor's brilliant achievement. Your princess? The first complaint "nagato fu", can cause your last attachment, and the wind no longer. "It can be lonely, proud of the emperor when he was young, how in the graveyard, for" Jiang Chong wu method of case "and make it have answers the confidence of the defeated. Into the classic, let you insight the insipid romantic metaphysical philosophy of life.
Into the classic, as if into a spiritual world of emptiness. Red chamber dream, im worried about how many ErNvQing. "At the end of the day, where is your fragrance" Lin daiyu tears into little stars, and in our mind the sky ornament, pity for her and for her sorrow. Why on earth have walked hand in hand for life with her beloved person? "Give me your hand, and son carrying the old" this is how distant dream! "Jade belt hanging in the forest, snow buried gold zan" cao xueqin, just a zero the appearance of a flower. "A sad tears, full paper absurd speech", into the classic, experience the world of sour, sweet, bitter, spicy, salty.
Classic, wan with towering mountains, standing quietly in this fertile land, is silent but it has a soul. "Cross the truth. which, far and near the different" classic soul in people heart, heart read soul also different. "One thousand readers, there are one thousand Hamlet." Into the classic, you are the owner of the classic. You want classic that beacon, swim in the literary world, flowers bloom, watching the clouds scud across, realization "gently a smile" shenli, purification of urban noise pollution by the mind. Up on the classics, a visit to the pure land.
"On the other side of the red chamber, the rain cold, bamboo foil silver light alone." Both of my daughter of li shangyin tears and liu three variations of euphemism lingering nostalgia struggle, as showers, falling on a writes a Chinese heart, the most appropriate lines than this. Classic, let you find the ideas of the "tianya reduced people" bosom friend, no matter be apart in one thousand, written in the classic of the same feeling.
We stop in the contemporary, western image let's dazzling, and the traditional classic with five thousand years of history ethos, and I firmly believe that lost is the precipitation of history, and stay in our heart is a classic silent enlightenment. The classic of classical language becomes big huang lu, reverberate in our young heart, and influence the later, pay all groups, stay silent light.
走進(jìn)經(jīng)典，腳下回響著踏出的一步步空蕩的蹙音，走過(guò)一個(gè)王朝的歷史興衰。品讀《史記》，在漢武帝的輝煌功績(jī)中感嘆塵世浮萍。你的金屋何在?那首哀怨的`《長(zhǎng)門(mén)賦》，是否引起你最后的留戀，而佳人不再�！案咛幉粍俸�，年輕時(shí)驕傲的漢武帝，如何在垂暮之年，因“江充巫蠱案”而使那胸有成竹的信心擊潰。走進(jìn)經(jīng)典，讓你頓悟人生的玄奧哲理——平淡唯美。
走進(jìn)經(jīng)典，仿佛走進(jìn)一個(gè)精神的空靈世界。紅樓迷夢(mèng)，牽掛著多少兒女情腸。“天盡頭，何處有香丘”林黛玉的淚化作點(diǎn)點(diǎn)辰星，點(diǎn)綴在我們心靈的天幕上，為她哀憐，為她悲愁。到底為何與她心愛(ài)的人無(wú)緣攜手走過(guò)一生?“執(zhí)子之手，與子攜老“這是何等遙遠(yuǎn)的夢(mèng)想!“玉帶林中掛，金簪雪里埋”曹雪芹區(qū)區(qū)一筆，便調(diào)零了一朵花的容顏�！耙话研了釡I，滿紙荒唐言“，走進(jìn)經(jīng)典，體驗(yàn)世間的酸、甜、苦、辣、咸。
經(jīng)典，宛同高山般巍峨，靜靜的屹立在這片肥沃的土地上，雖無(wú)聲卻有魂。“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同”經(jīng)典的魂存在人們心中，心不同讀出的魂也不同�！耙磺�(gè)讀者，便有一千個(gè)哈姆雷特。”走進(jìn)經(jīng)典，你便是經(jīng)典的主人。你執(zhí)著經(jīng)典這盞明燈，在文學(xué)世界里暢游，賞花開(kāi)花落，看云卷云舒，了悟“拈花一笑”的神理，凈化為都市喧囂所污染的心靈。走進(jìn)經(jīng)典，走進(jìn)一訪凈土。
“紅樓格雨相望冷，竹箔銀燈獨(dú)自歸。”無(wú)論是李商隱的閨中女兒淚還是劉三變的委婉纏綿的鄉(xiāng)愁苦思，都化為甘霖，降在離人游子的心田，最恰當(dāng)?shù)氖銘涯^(guò)于此。經(jīng)典，讓你尋找“同是天涯淪落人”的思想知己，不管相隔千年，經(jīng)典中所記載的情未變。
我們?cè)诋?dāng)代駐足，西方的意象讓我們眼花繚亂，而傳統(tǒng)的經(jīng)典隨著五千年的歷史長(zhǎng)河漸漸遠(yuǎn)逝，而我堅(jiān)信，逝去的只是歷史的沉淀，而留在我們心中的是經(jīng)典無(wú)聲的教化。經(jīng)典的經(jīng)典語(yǔ)言會(huì)化作黃鐘大呂般的絕響，在我們年輕人心中激蕩，并熏陶這后來(lái)之人，薪盡伙傳，留下無(wú)聲的光明。
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