玩偶之家英語(yǔ)讀后感

　　品味完一本名著后，相信你心中會(huì)有不少感想，這時(shí)就有必須要寫一篇讀后感了！想必許多人都在為如何寫好讀后感而煩惱吧，下面是小編為大家整理的玩偶之家英語(yǔ)讀后感，僅供參考，希望能夠幫助到大家。

　　After finish see Ibsens a dolls house, I think, the heroine, Nora is a strong and brave woman, in such a dark society, although she didnt have any position, but her husband in recognizing haier mau false face, chose to leave.

　　Ibsens entire writing career values in the 19th century. In his works, the European bourgeois image than in Shakespeare, molieres rot appear more and more ugly, also hated more, it is very natural. His sharp pen full of enthusiasm, incitement skewers the bourgeoisie in morality, law, religion, education, and family relationships the mask of many sided, exposed the hypocrisy of the capitalist society and absurd. "A dolls house" is for marriage under the capitalist private ownership, of the bourgeois ideas of male a tacitly indictment. "A dolls house" is henrik Ibsens 1879 drama, and then the emerging of the disadvantage of capitalism, social conflicts intensified, the people in front of the money to selfishness, hypocrisy, ugly face. In order to rob money, regardless of friendship, affection, love, in their eyes, money is everything. These bourgeois ugly behavior on haier mau got complete interpretation, Nora from him just toys, a beautiful appearance, can amuse his toys. When that Noras behavior would threaten their own interests, he immediately changed his face, said Nora is a hypocrite....... Is Nora do in order to save him, all because of love him, but he didnt ungrateful, not grateful to calculate, also said Nora didnt qualification education child......, its like in Nora heart put a knife, he was such a hypocrite, oneself when he doll so long but I do not know, for him, Nora is just a doll, she is nothing else, haier mau ignores Nora pay everything for this family, take care of the children, and so on. Maybe it should be said with the center of the patriarchal society at that time, women labor is that they have to do in the home, only pain no gain. Not qualified to talk about the remuneration and rewards. Haier mau is unlikely to care about her these pay, also were not considered in his consciousness, men work outside, wife have a duty to labor in the home, take care of the children dont even have a reason to ask what, have no reason to say no to his arrangement.

　　Nora is a a bourgeois individuality to emancipate the mind of the rebellious women. Her betrayal of society and leave home, has been hailed as a "declaration of independence of the womens liberation. Nora is ostensibly a young women without sophisticated cutting has always been being called "birds", "little squirrel", actually she kind and strong personality, to her husband and family at humiliation, ready to sacrifice even his own reputation. Due to save her husbands life, used to hide from him to borrow a debt; At the same time want to give dying father save trouble, and impersonate signed a word. Is due to the reasonable behavior, the bourgeoisies "not reasonable law" forced her desperate. More to her heart, the truth, most in need of her husband and her together, take risk moment, she found himself as the sacrifice of the husband turns out to be a false and despicable philistinism. She finally awakening, to realize their father before marriage is but a doll, but is the dolls of her husband after marriage, has never been an independent personality. So she has decisively abandoned her husband and children and family run away from the cage.

　　I admire the courage of Nora, women should have the right to choose their own happiness, rather than rely on others. Women want to get their position in the family, should have an independent source of income. Women should have independent thought, free-standing self-improvement, self-esteem, self-love. To better foothold in the society.

　　看完易卜生的《玩偶之家》之后，我覺得女主人公娜拉是一個(gè)堅(jiān)強(qiáng)、勇敢的女性，在如此黑暗的社會(huì)中，她雖然沒有任何地位，可是她在認(rèn)清丈夫海爾茂的虛偽的面目后，選擇了離開。

　　易卜生的整個(gè)創(chuàng)作生涯恰值十九世紀(jì)后半葉。在他的筆下，歐洲資產(chǎn)階級(jí)的形象比在莎士比亞、莫里哀筆下顯得更腐爛、更丑惡，也更令人憎恨，這是很自然的。他的犀利的筆鋒飽含著憤激的熱情，戳穿了資產(chǎn)階級(jí)在道德、法律、宗教、教育以及家庭關(guān)系多方面的假面具，揭露了整個(gè)資本主義社會(huì)的.虛偽和荒謬�！锻媾贾�家》就是對(duì)于資本主義私有制下的婚姻關(guān)系、對(duì)于資產(chǎn)階級(jí)的男權(quán)中心思想的一篇義正辭嚴(yán)的控訴書�！锻媾贾�家》是易卜生在1879年創(chuàng)作的戲劇，當(dāng)時(shí)資本主義的弊端日益顯現(xiàn)，社會(huì)矛盾激化，人們?cè)诮疱X面前的自私自利、虛偽的丑陋面目顯露無疑。為了搶奪金錢，不顧友情、親情、愛情，在他們眼中，金錢就是一切。這些資產(chǎn)者的丑陋行為在海爾茂的身上得到了完整的詮釋，娜拉于他來說只是玩具，一件外表美麗，能逗他開心的玩具。當(dāng)?shù)弥�娜拉的行為�?huì)威脅到自己的利益的時(shí)候，他立即變了臉色，說娜拉是偽君子········。娜拉所做的都是為了救他，都是因?yàn)閻鬯�，可是他全然不領(lǐng)情，不感激就算了，還說娜拉沒資格教育孩子······，這一切就像在娜拉心口插了一刀，他居然是這樣一個(gè)偽君子，自己當(dāng)了他的玩偶這么久卻不知道，對(duì)他來說，娜拉只是一個(gè)玩偶，別的她什么都不是了，海爾茂忽略了娜拉為這個(gè)家付出的一切，照顧孩子等等�；蛟S應(yīng)該說在當(dāng)時(shí)的以男權(quán)為中心的社會(huì)來說，婦女在家的勞動(dòng)是她們必須做的，只有付出沒有得收獲。沒有資格談報(bào)酬，談回報(bào)。海爾茂也不會(huì)在意到她的這些付出，他的意識(shí)里也沒有對(duì)此思考過，男人在外面辛苦工作，妻子就有義務(wù)在家勞動(dòng)，照顧孩子甚至沒有理由去要求什么，也沒有理由對(duì)他的安排說不。

　　娜拉是個(gè)具有資產(chǎn)階級(jí)個(gè)性解放思想的叛逆女性。她對(duì)社會(huì)的背叛和棄家出走，被譽(yù)為婦女解放的“獨(dú)立宣言”。 娜拉表面上是一個(gè)未經(jīng)世故開鑿的青年婦女，一貫被人喚作“小鳥兒”、“小松鼠兒”，實(shí)際上她性格善良而堅(jiān)強(qiáng)，為了丈夫和家庭不惜忍辱負(fù)重，甚至準(zhǔn)備犧牲自己的名譽(yù)。她因挽救丈夫的生命，曾經(jīng)瞞著他向人借了一筆債;同時(shí)想給垂危的父親省卻煩惱，又冒名簽了一個(gè)字。就是由于這件合情合理的行為，資產(chǎn)階級(jí)的“不講理的法律”卻逼得她走投無路。更令她痛心的是，真相大白之后，最需要丈夫和她同舟共濟(jì)、承擔(dān)危局的時(shí)刻，她卻發(fā)現(xiàn)自己為之作出犧牲的丈夫竟是一個(gè)虛偽而卑劣的市儈。她終于覺醒過來，認(rèn)識(shí)到自己婚前不過是父親的玩偶，婚后不過是丈夫的玩偶，從來就沒有獨(dú)立的人格。于是，她毅然決然拋棄丈夫和孩子，從囚籠似的家庭出走了。

　　我很欣賞娜拉的勇氣，婦女應(yīng)該有權(quán)力去選擇自己的幸福，而不是完全依賴別人。婦女要想在家庭中取得自己的地位，應(yīng)該有獨(dú)立的經(jīng)濟(jì)來源。要有獨(dú)立的思想，婦女也要自立自強(qiáng)、自尊自愛。才能更好的在社會(huì)上立足。

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