最新的十日談英語讀后感范文

　　導(dǎo)語：十日談是一本著名的外國名著，他給我們講述了：僧侶們道貌岸然，滿口仁義道德，骨子里卻男盜女娼，是十足的偽君子。其根源蓋出于教會的教規(guī)，出于教規(guī)的虛偽性和反人性。薄伽丘對教會的批判，表達(dá)了當(dāng)時的城市平民階級對神權(quán)的不滿。你也有很多自己的想法吧，那就把它記錄下來吧，那就把它編寫成英語范文吧，僅供參考，更多相關(guān)的知識，請關(guān)注CNFLA學(xué)習(xí)網(wǎng)的欄目!

　　十日談英語讀后感：

　　Recently I read a book "the decameron" work, I have benefited a lot from.

　　"The decameron" is a collection, but it is not normal work of the story. Boccaccio adopts the form of a story, a knack to frame the story organically to form a rigorous, harmonious narrative system. Great plague as a starting point, so as to lead to ten young men and women, and point out the natural disaster led to the downfall of the social order, human relations, daub the era background for the whole work. This period of the introduction, the author of the prologue, postscript, and 10 men and women in the activities of the villa, is a big framework, cleverly inclusive and string of characters tells the story of 100. This 100 story, in addition to the first day and 9 days without proposition, the story of the eight day under a common theme, make this frame structure one integrated mass. And the characters in the story is often tells stories. Big framework, medium a small frame, medium a story, story can clearly express the author's emotions, ideas, and has a fascinating artistic charm, large and active, complex and orderly.

　　"The decameron" also attacked the feudal privilege and gender inequality. Boccaccio is convinced that man's dignity depends not on birth, but decided to a man's wit. Even to serve the king of the groom, the instrument and smart compared to the king, no less. Many stories recounted in their fight for happiness, lowborn men often with their own wisdom and perseverance against feudal lords and nobles. Boccaccio reveals such a truth: "poor won't kill a person of noble quality," the poor tend to be a sage, "noble man lost his ambition", the imperial family put pig sheep is the only place for children. He also holds denounced the medieval monks insulting women on behalf of the sin of the outdated ideas, praise the beauty of women is a natural creation, claims that women should enjoy equal status with men.

　　Boccaccio in many stories turneth the edge of the criticism to the Catholic church and religious theology, relentlessly uncovered the veil of the holy church, the monks extravagant luxuries, blackmail amass, simony, suppress heresy, such as a variety of dark deeds, completely exposed. It is important to note that in the first two story decameron, with sharp incomparable pen, boccaccio tartly satirized the corruption of the church. An evil, immoral notary, deathbed confession when a phone chat, was the church after the death of a saint. A Jew, post at the Vatican in Rome that you visit, secretly learned about, learned from the Pope, the bishop to priest, everyone is a glutton, unscrupulous, likes the lust and trafficking, Rome has become "to accommodate the big melting pot of all evil", "Christianity is full of evil and darkness." The story sets the tone for the whole work.

　　Boccaccio also beyond the attacked the monks' personal qualities. His criticism is much more profound. He searching, no mercy, directed at the church and religious teachings. He shows in his stories, monks, is full of virtue and morality, inside but behave like thieves and prostitutes, is a hypocrite. The root cap from church Canon, from form of hypocrisy and against humanity. Boccaccio criticism of the church, expressed the city populace class resentment of theocracy.

　　參考翻譯：

　　近期我讀了一本名著《十日談》，使我受益匪淺。

　　《十日談》是一部故事集，但不是普通的匯集故事的作品。薄伽丘采用故事會的形式，別出心裁地以框架結(jié)構(gòu)把這些故事有機(jī)地組成一個嚴(yán)謹(jǐn)、和諧的敘述系統(tǒng)。大瘟疫作為一個引子，借以引出10名男女青年，并點(diǎn)明自然禍害導(dǎo)致社會秩序、人際關(guān)系的'墮落，為整部作品涂抹出時代底色。這段引子，作者的開場白、跋，和10名男女在別墅的活動，是一個大框架，巧妙地包容和串連了主人公們講述的100個故事。這100個故事，除了第一天和第9天沒有命題外，8天的故事各在一個共同的主題下展開，使這框架結(jié)構(gòu)渾然一體。而故事中的人物也常常講述故事。這樣，大框架中套小框架，故事中套故事，既可鮮明地表達(dá)作者的情感、觀念，又具有引人入勝的藝術(shù)魅力，龐大而活躍、復(fù)雜而有序。

　　《十日談》還抨擊了封建特權(quán)和男女不平等。薄伽丘確信，人的高貴并不取決于出身，而是決定于人的才智。即便是伺候國王的馬夫，其儀表和聰明同國王相比，毫不遜色。不少故事敘述了在爭取幸福的斗爭中，出身微賤的人往往以自己的智慧、毅力戰(zhàn)勝封建主和貴族。薄伽丘揭示了這樣一條真理：“貧窮不會磨滅人的高貴品質(zhì)”，窮人家往往出現(xiàn)圣賢，倒是“高貴叫人喪失了志氣”，帝王家子弟只配放豬牧羊。他還摒斥中世紀(jì)僧侶主義污蔑女人代表罪孽的陳腐觀念，贊美婦女是自然的美妙造物，主張婦女應(yīng)該享有跟男人平等的地位。

　　薄伽丘在許多故事里把抨擊的鋒芒指向天主教會和宗教神學(xué)，毫不留情地揭開教會神圣的面紗，把僧侶們奢侈逸樂、敲詐聚斂、買賣圣職、鎮(zhèn)壓異端等種種黑暗勾當(dāng)，統(tǒng)統(tǒng)暴露在光天化日之下。值得注意的是，在《十日談》的頭兩個故事里，薄伽丘就以犀利無比的筆鋒，辛辣地嘲諷了教會的腐敗墮落。一個作惡多端，喪盡天良的公證人，臨終懺悔時一通胡吹，死后竟被教會封為圣徒。一個猶太教徒，在教廷駐地羅馬暗中察訪，耳聞目睹，了解到從教皇、主教直到教士，個個都是酒囊飯袋，寡廉鮮恥，貪戀女色，還買賣人口，羅馬已成為“容納一切罪惡的大洪爐”，“基督教充滿罪惡、黑暗”。這兩則故事為整個作品定下了基調(diào)。

　　薄伽丘也不止于對僧侶的個人品質(zhì)進(jìn)行抨擊。他的批判要深刻得多。他刨根究底，毫不留情，矛頭直指教廷和宗教教義。他在一些故事中展示出，僧侶們道貌岸然，滿口仁義道德，骨子里卻男盜女娼，是十足的偽君子。其根源蓋出于教會的教規(guī)，出于教規(guī)的虛偽性和反人性。薄伽丘對教會的批判，表達(dá)了當(dāng)時的城市平民階級對神權(quán)的不滿。

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